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Sunday, August 22, 2010

THE FRUITCAKE SPECIAL

CHARACTER ANALYSES


-ANNA-

*Dedicated
*Determined
*Sensible
*Courage



-MOMMA-

*Non-judgemental
*Considerete
*Caring
*Honest


-AUNT MIMI-

*Busybody
*Forthright
*Helpful
*Generous


-DAVID AMOS-

*Self-centred
*Superficial person
*Proud and arrogant
*Status conscious

Thursday, May 6, 2010

baby with the face of PIG!!

Tuesday, May 4, 2010

shaken baby!!






According to Dr Azmi Alias, Kuala Lumpur Hospital's consultant neurosurgeon, over 60% of the shaken baby syndrome (SBS) victims are male and almost 80% of the perpetrators also male.

He said one in four shaken babies dies, while some studies estimate 15% of children's deaths are caused by severe battering or shaking, and of the thousands that survive, it is not without serious injury. Most of the victims, Dr. Azmi said are a few days to a few months old, the average being six months old.

The normal reaction of most infants under six months of age to SBS, is by being irritable, lethargic, feeding poorly, seizures, apnoea and unresponsiveness. According to Dr. Azmi, the outcome of the child abuse is mortality, severe disability and severe mental and developmental delay.

Authorities have been called upon to identify and punish the perpetrators by Health experts and non-governmental organisations.

There has been a 60% increase in non-accidental injury related to child abuse, such as, battered child syndrome, neglect and serious head injuries, in the last five years, with five out of 10 cases involving parents.

Dr Azmi has his hands full whenever an infant is brought to his attention suffering from brain injuries due to Shaken Baby Syndrome. He says he has seen children brought to hospital for brain injuries due to falls, accidents involving motor vehicles, the TV, fan blades, swings, including non-accidental injuries like SBS and child abuse, of which SBS is considered as serious child abuse.

A parent or other caregiver may out of anger or frustration shake a baby, often because the baby will not stop crying.

However, since babies have weak neck muscles unable to fully support their proportionately large heads, severe shaking causes serious and sometimes fatal brain injuries, which in many case may prove fatal or lead to severe neurological deficits.

Death is usually caused by uncontrollable increased intracranial pressure from cerebral oedema, bleeding within the brain, or tears in the brain tissue.

However, even babies with injuries that appear to be mild may show developmental difficulties.




Taken from here.

Monday, March 8, 2010

stylistic techniques!

I. Dress-Up

1. who-which clause

2. "ly"

3. because clause

4. strong verb

5. quality adjective

6. when, while, where, as, since, if, although clause

II. Sentence Openers

1. subject

2. prepositional

3. "ly"

4. "ing"

5. clausal

6. vss

(Advanced: @ "ed")

Minimum Rule: Each one in every paragraph as possible, no more than two of the same in a row.

III. Decorations

1. question 4. dramatic opening - closing

2. conversation 5. simile - metaphor

3. 3sss 6. alliteration

IV. Sentence Styles: Triple Extensions

1. word repetition

2. phrase & clausal repetition

3. repeating "ings" consecutive or spaced

4. repeating "lys" consecutive or spaced

5. repeating adjectives or nouns

6. repeating verbs consecutive or spaced



Taken from here.


diction!

1.style of speaking or writing as dependent upon choice of words: good diction.
2.the accent, inflection, intonation, and speech-sound quality manifested by an individual speaker, usually judged in terms of prevailing standards of acceptability; enunciation.


Taken from here.

CONNOTATIVE!

1.an act or instance of connoting.
2.the associated or secondary meaning of a word or expression in addition to its explicit or primary meaning: A possible connotation of “home” is “a place of warmth, comfort, and affection.” Compare denotation (def. 1).
3.Logic. the set of attributes constituting the meaning of a term and thus determining the range of objects to which that term may be applied; comprehension; intension.


Taken from here.

denotative!

  1. Denoting or naming; designative.

  2. Specific or direct: denotative and connotative meanings.



Taken from here.

Tuesday, March 2, 2010

distinction!

Value 1: Determination ...
How do we build strength in themselves not to U-turn with each obstacle (Obstacle) outside the period. Strength is built with value 2: Readiness ...

Value 2: Readiness ...
Faced with obstacles that require precise readiness of mind and physical. This sense of readiness to rise to knowledge, and thoroughly understand every obstacle that successful challenger to the solution formed. However the solution to form the side we need to value 3: Willingness ...

Value 3: Willingness ...
solutions for each obstacle has a value of sacrifice that we need to face with redha and ready. When we were ready to go through and know what to sacrifice to achieve solutions to obstacles that the challenger Value 4: Acceptance play an important role.

Value 4: Acceptance ...
Acceptance of things that need to waived to get the solution of obstacles will facilitate mental and physical shape our readiness through obstacles. To receive these situations we need to realize where we are and what we would expect that the value 5: Sense of belonging can be formed in us ..

Value 5: Sense of belonging ...
Shaping values have owned and will make your mind and become physically stronger and more robust. This value will be formed when we can create value 1 to value 4. This process will strengthen ourselves to support and further develop the network in the life consisting of friends and family members. This value will also put us in a safe zone for us to deal with obstacles that challenger.

Once we control all these values, then we can form value distinction in ourselves ..

So ..tap your minds, hearts and ask where our needs and desires. ..

QWERTYUIOP!

QWERTYUIOP-SETTING , CHARACTERS, THEMES AND MORAL VALUES

Hello everyone, today I would like to talk about a short story called QWERTYUIOP. Here are some notes that would help you to understand the text better. Thank you to CDC for providing us with a complete Literature Component module.

SETTING
The story revolves around two main settings: Lucy’s house which she shares with her mother and her Uncle Bert, and the office of Ross and Bannister’s where Lucy works as a secretary.

CHARACTERS

  • Lucy Beck : She is a young, shy and insecure graduate of secreterial studies. She is issatisfied with her current life and is determined to improve it. She obtains a position with Ross and Bannister’s, only to find that the position comes with a chilling secret.
  • Ghost of Ms.Bloome : She was the previous employee of Ross and Bannister’s. She is unwilling to let go of her position and continues to defend her post, even after her demise.
  • Lucy’s mother : A housewife who lives a hard life. She has to support her brother.
  • Uncle Bert : Depends on his sister for support. He is also a drunkard.
  • Harry Darke : Ross and Bannister’s handyman. He is an old man who has been working with the company for years.
  • Mr. Ross : The younger partner of the company.

THEMES

Possible themes that can be found in the short story are determination, possessiveness, loyalty, loneliness, commitment, the supernatural, and compassion.

DETERMINATION:

Despite the supernatural nature by which Ms. Broome badgers and demoralises Lucy, she shows no signs of giving in to her demand. Instead, she is steadfast in defending her position as the secretary.

POSSESIVENESS:

Not even death could part Ms. Broome from what she feels is rightfully hers. She continues to haunt the office through her electronic typewriter.

LOYALTY:

As with her possesiveness towards her job, Ms. Broome was also extremely loyal towards Mr. Bannister. Even after she passed on, her spirit continued in its endeavour to serve her employer.

LONELINESS:

Loneliness can be a strong influence in a person’s life. Ms. Broome had no life outside of her office. That made her more possesive of her position in the company; a possesiveness that went beyond the grave.

COMMITMENT:

This attribute can be clearly seen in both Lucy and Ms. Broome. Both are extremely committed to their profession.

THE SUPERNATURAL:

It is interesting that such an integral character in the story happens to be an ethereal entity. Yet this theme is rather prominent in the story.

COMPASSION:

This theme holds water especially in the final confrontation between Lucy and Ms. Broome. It is not through hatred nor coercion that Lucy manages to outsmart Ms. Broome, rather, it was through compassion and understanding of Ms. Broome’s intentions.

MORAL VALUES

• Do not judge a person merely through credentials or qualification.

• We must be committed and responsible to our vocation or profession

• We must value our family.


Taken from HERE.

Saturday, February 20, 2010

HOLIDAY-END-!

Argh!!!
Holiday end today..
Back school again..
No!!
I want continue my holiday...
Oh no!!

POSTPONE!!!!!

Huargh!!
How many days that i postpone my work??
Go fishing with my lovely sibling and cousin on wednesday and thursday..
No internet and no 3G..How could i do my work??
When i went back from fishing..
I went back my grandmom village until today..
At 8.30pm i reach at my family home..

Sunday, February 14, 2010

homework!!

Oh!!
So many homework lorh..
which one must i do it first??
the homework so difficult..
not easy to choose which one..
arrrgghhh!!!

Chemistry!!

Oh no!!
Its so dificult..
How can i do??
How can i understand it??
Its make me dizzy..
Chemistry's homework are so many to do..
I don't understand how to do my chemistry's homework..

Back Home on Friday.

Sorry to Pn. Syarifah.
because i postpone my work on friday and saturday.
anyway.On friday. I reach home at 12.45 p.m.
then i sleep after i chat with my mother.
on Saturday.
i rest at my grandmother's house..

Wednesday, February 10, 2010

Homework!

  • DAILY LOG - have done @ plan to do
  • REFLECION - personal thoughts
  • INTERESTING READING LIST - artical/newspaper(give personal comment)

Synopsis Of Gulp And Gasp

This is one of twelve "Classic Spirals", from the established series for reluctant readers with a track record of over 25 years. It features dynamic plots and storylines, which encourage readers to pick them up again and again. It includes engaging themes without being immature or patronising and attractive cover designs in new paperback style binding are designed to motivate pupils. Short but substantial chapters are provided to give a sense of achievement in reading whole texts. Clearly laid out text, without illustrations and activities, encourages focus on reading and enables low achievers to improve at their own pace.

Taken from here.

Monday, February 8, 2010

Element Of Drama.

Drama on stage often reflects the drama of everyday life, but (just like other forms of literature and art) it concentrates life, focuses it, and holds it up for examination. Since plays are written with the intention of performance, the reader of the play must use her imagination to enact the play as she reads it. Readers of the play need to imagine not just feelings or a flow of action, but how the action and the characters look in a theater, on a stage, before a live audience.

Audience

The fact of a live audience also has an important impact on the way plays are created. The essential feature of an audience involves the fact that they have, at a single instant, a common experience; they have assembled for the explicit purpose of seeing a play. Drama not only plays before a live audience of real people who respond directly and immediately to it, but drama is also conceived by the author with the expectation of a specific response. Authors calculate for the effect of a community of watchers rather than for the silent response. With this in mind, most plays written deal with topics that are timely.

Dialogue

Dialogue provides the substance of a play. Each word uttered by the character furthers the business of the play, contributes to its effect as a whole. Therefore, a sense of DECORUM must be established by the characters, i.e., what is said is appropriate to the role and situation of a character. Also the exposition of the play often falls on the dialogue of the characters. Remember exposition establishes the relationships, tensions or conflicts from which later plot developments derive.

Plot


The interest generated by the plot varies for different kinds of plays. (See fiction elements on plot for more information regarding plot.) The plot is usually structured with acts and scenes.

  • Open conflict plays: rely on the suspense of a struggle in which the hero, through perhaps fight a against all odds, is not doomed.

  • Dramatic thesis: foreshadowing, in the form of ominous hints or symbolic incidents, conditions the audience to expect certain logical developments.

  • Coincidence: sudden reversal of fortune plays depict climatic ironies or misunderstandings.

Dramatic irony: the fulfillment of a plan, action, or expectation in a surprising way, often opposite of what was intended.

Stagecraft


The stage creates its effects in spite of, and in part because of, definite physical limitations. Setting and action tend to be suggestive rather than panoramic or colossal. Both setting and action may be little more than hints for the spectator to fill out.

Convention


The means the playwright employs are determined at least in part by dramatic convention.

  • Greek: Playwrights of the this era often worked with familiar story material, legend about gods and famous families that the audience was familiar with. Since the audience was familiar with certain aspects of these, the playwrights used allusion rather than explicit exposition. In representing action, they often relied on messengers to report off-stage action. For interpretation the Greeks relied on the CHORUS, a body of onlookers, usually citizens or elders, whose comments on the play reflected reactions common to the community. These plays were written in metered verse arranged in elaborate stanzas. This required intense attention from the audience.
  • English Drama: Minor characters play an important role in providing information and guiding interpretation. The confidant, a friend or servant, listens to the complaints, plans and reminiscences of a major character. Minor characters casually comment among themselves on major characters and plot development. Extended SOLILOQUY enables a major character to reveal his thoughts in much greater detail than in natural dialogue. ASIDES, remarks made to the audience but not heard by those on the stage, are common.
  • Realism: Toward the end of the nineteenth century, realistic depiction of everyday life entered the genre of drama, whereas the characters may be unconventional and their thoughts turbulent and fantasy-ridden.
  • Contemporary: Experimentation seems to be the key word here. A NARRATOR replaces the messenger, the chorus and the confidant. FLASHBACKS often substitute for narration. Many contemporary playwrights have abandoned recognizable setting, chronological sequence and characterization through dialogue.

Genres


Just a there are various types of novels, i.e., western, romance, science fiction, there are different genres of plays. While it is difficult at times to place many latter day plays into a specific genre, seeing the attributes will enable the reader to understand the particular play better.

  • Tragedy: In classic tragedy and the modern problem play, tragedy is a play in which a central character faces, and is finally defeated by, some overwhelming threat or disaster. The hero or heroine is an active participant in the event through a tragic flaw, a shortcoming of the protagonist, i.e., pride, rashness, indecision. This reinforces the emphasis on action derived from character, which explains the psychological and moral interest of much great drama. Another common type of tragedy focuses not on how the protagonist brings about but on how he meets his fate. Tragedy so defined celebrates the triumph of the human spirit over physical necessity.
  • Comedy: Different kinds of comedy illustrate different ways a playwright may leaven grim truth with humor or temper the playful with the serious. Traditionally comedy is defined as a play that bestows on its characters good fortune, or more popularly, a happy ending. It may deal with the loves and jealousies of the young, and the reluctance other elders to give their blessings or the necessary funds.

Characterization


A playwright's success ultimately depends on his ability to create a character that an actor can "bring to life." The playwright's ability to match the PROTAGONIST against an ANTAGONIST of some complexity and vitality can make the difference between a success and failure. Idiom, a character' personal thoughts and feelings as reflected through dialogue.

taken from here.

Boolean search!

What is Boolean Search?
Boolean searches allow you to combine words and phrases using the words AND, OR, NOT and NEAR (otherwise known as Boolean operators) to limit, widen, or define your search. Most Internet search engines and Web directories default to these Boolean search parameters anyway, but a good Web searcher should know how to use basic Boolean operators.

Taken from here.

Tuesday, February 2, 2010

attention!!

Plagiarism is theft of another person's writings or ideas.
it's very dangerous!
so don't do that..

Wednesday, January 27, 2010

definition of plagiarism..

Plagiarism is theft of another person's writings or ideas. Generally, it occurs when someone steals expressions from another author's composition and makes them appear to be his own work. Plagiarism is not a legal term; however, it is often used in lawsuits. Courts recognize acts of plagiarism as violations of Copyright law, specifically as the theft of another person's Intellectual Property. Because copyright law allows a variety of creative works to be registered as the property of their owners, lawsuits alleging plagiarism can be based on the appropriation of any form of writing, music, and visual images.

Plagiarism can take a broad range of forms. At its simplest and most extreme, plagiarism involves putting one's own name on someoneelse's work; this is commonly seen in schools when a student submits a paper that someone else has written. Schools, colleges, and universities usually have explicit guidelines for reviewing and punishing plagiarism by students and faculty members. In copyright lawsuits, however, allegations of plagiarism are more often based on partial theft. It is not necessary to exactly duplicate another's work in order to infringe a copyright: it is sufficient to take a substantial portion of the copyrighted material. Thus, for example, plagiarism can include copying language or ideas from another novelist, basing a new song in large part on another's musical composition, or copying another artist's drawing or photograph.

Courts and juries have a difficult time determining when unlawful copying has occurred. One thing the plaintiff must show is that the alleged plagiarist had access to the copyrighted work. Such evidence might include a showing that the plaintiff sent the work to the defendant in an attempt to sell it or that the work was publicly available and widely disseminated.
Once access is proven, the plaintiff must show that the alleged plagiarism is based on a substantial similarity between the two works. In Abkco Music, Inc. v. Harrisongs Music, Ltd., 722 F.2d 988 (2d Cir 1983), the Second Circuit Court of Appeals found "unconscious" infringement by the musician George Harrison, whose song "My Sweet Lord"was, by his own admission, strikingly similar to the plaintiff's song, "He's So Fine." Establishing a substantial similarity can be quite difficult as it is essentially a subjective process.
Not every unauthorized taking of another's work constitutes plagiarism. Exceptions are made under copyright law for so-called fair use, as in the case of quoting a limited portion of a published work or mimicking it closely for purposes of Parody and satire. Furthermore, similarity alone is not proof of plagiarism. Courts recognize that similar creative inspiration may occur simultaneously in two or more people. In Hollywood, for example, where well-established conventions govern filmmaking, this conventionality often leads to similar work. As early as 1942, in O'Rourke v. RKO Radio Pictures, 44 F. Supp. 480, the Massachusetts District Court ruled against a screenwriter who alleged that a movie studio had stolen parts of his unproduced screenplay Girls' Reformatory for its film Condemned Women. The court noted that the similar plot details in both stories—prison riots, escapes, and love affairs between inmates and officials—might easily be coincidental.

Sometimes the question is one of proper attribution. In January 2002, two highly regarded historians, Stephen Ambrose and Doris Kearns Goodwin, were accused of plagiarism in The Weekly Standard. The magazine revealed that Ambrose (who died in October 2002) took passages from another author's work and used them in his 2001 book The Wild Blue, while Goodwin used passages from several authors in her 1987 book The Fitzgeralds and the Kennedys. Both authors apologized, acknowledging that they had erred and adding that their failure to provide proper attribution was completely inadvertent. Goodwin went so far as to address her mistakes in an essay in Time magazine. They agreed to correct the problem in future editions of the books in question. While some of their colleagues accepted the explanation, others questioned whether authors of such talent and prominence were in fact being disingenuous considering that both had borrowed numerous passages, not just one or two.
The Internet has added a new layer to the question of plagiarism, particularly among high school and college students. In the mid-1990s a number of Web sites cropped up that offered term papers, thesis papers, and dissertations for sale. These "paper mills" make it easy for students to purchase papers instead of writing their own. (The fact that many of the papers being sold are poorly written and minimally researched is apparently of little concern.) A similarly egregious problem results from the wide array of legitimate reports many Web sites make available on the Internet for research purposes. Unscrupulous students with a computer can easily copy large blocks of these reports and paste them into their own papers. Anecdotal evidence suggests that while the ease of copying information has not led to a dramatic increase in plagiarism among honest students, those who have already cheated are likely to make frequent use of electronic resources to continue cheating. Students who use the "copy-and-paste" writing method are being thwarted by instructors who simply type questionable phrases into search engines; if the passage exists in another paper, the search engine will probably find it.


Taken from here..

Synopsis of The Fruitcake Special by Frank Brennan

A chemist woman who works at the Amos cosmetics factory in New Jersey, USA trying to discover a new perfume. One day she threw her fruitcake which was her lunch in to the mix with all the other things. It smells wonderful so she tried it on her. Not too long, her boss who is a handsome English guy never saying nice thing to ordinary girl like her asked her to have a dinner with him. That would be because of fruitcake. Her boss always lost control of himself when he smelt that perfume. If does not put it on her, she will not be attractive anymore.



Taken from here..

Tuesday, January 26, 2010

thanks!!

First of all.
I'm so sorry because i do my work late from the date.
Yesterday. I give chance to my friend to use the computer first.
anyway..
to teacher:

- thanks for teaching me how to link another page in this blog..
- i appreciate u for that lesson..
- thank you so much!

Synopsis of QWERTYUIOP by Vivien Alcock

This amazing story I get from here.

Thank you yana for helping me link this synopsis's page.

key word!!

*theme

*plot

*summary

*synopsis

*literature review

*by author

Tuesday, January 19, 2010

my path to my first blog

first , i masok ict lab ,
then , i dudok sblah yana ,
next , i bkk pc ,
finally . I HV MY OWN BLOG !